lucha libre history, the myth of origins

I was contacted late last week by a reporter for a well-respected British news outlet. He is writing a story on the cholitas luchadoras (which as I side note I'm intrigued by, because there is definitely an article from this same source for a few years ago I've referenced a few times). He asked questions on several topics, including the history of lucha libre in Bolivia. This is something about which I have found very little authoritative information. After many conflicting interviews and hours of pouring over Bolivian newspapers from the 1950s-1970s both here and in the US Library of Congress, here is what I know. You can find recent history here, and history of Bolivian lucha libre in the 1970s-1980s here. 

Though almost every veteran luchador in Bolivia tells the story a little differently, it was during the time of nationalism in the decade following the 1952 Revolution that lucha libre made its first appearance in Bolivia. The form of wrestling that developed in Bolivia already had a long history. Charles Wilson (1959) has traced exhibition wrestling to army men in Vermont in the early 19th century. During the civil war organized bouts became popular among Union troops. After the war, saloons in New York City began promoting matches to draw customers. By the end of the 19th century PT Barnum was using wrestling “spectaculars” in his circus. At first, wrestlers would fight untrained “marks” from the audience, but by the 1890s they began to fight trained wrestlers planted in the audience. It was then that it changed from a “contest” to a “representation of a contest.” These spectaculars were very popular and were replicated at county fairs, which eventually resulted in intercity circuits by 1908 (Wilson 1959). By the 1920s, promoters began to add gimmicks to make characters more memorable.

In 1933, after character development, rules, and other conventions had been established, a promoter named Salvador Lutteroth brought exhibition wrestling to Mexico. He and his partner Francisco Ahumado set up their first wrestling event in Arena Nacional in Mexico City on September 21, 1933. The next year they began the Empresa Mexicana de Lucha Libre (Levi 2008:22). In the next few years, innovations in costuming, character, and technique further “Mexicanized” the genre. Levi argues that at this time the audience was likely made up of both popular classes as well as elites (2008:23). By the 1940s, lucha libre spectators were more from the popular classes, but it still retained a sense of urbanism and modernity (2008:23). In the 1950s, it began to attract a middle class audience on television, but it only remained broadcast for a few years. It was also during this time that it became a popular subject for hundreds of Mexican films (2008:23).

During this era, exhibition wrestling arrived in Bolivia. Most wrestlers suggest that lucha libre was first performed in Bolivia sometime between the mid-1950s and mid-1960s, as Mexican wrestlers traveled to South America, performing and then training the first generation of Bolivian luchadores. Many of the most veteran Bolivian wrestlers who are still active in lucha libre identify these Mexican luchadores as their childhood inspiration. Rocky Aliaga, a Bolivian who currently wrestles in Spain told reporter Marizela Vazquez, “From my childhood I was fan of wrestling and what excited me most was to attend events…of Mexican characters such as Huracán Ramirez, Rayo de Jalisco, and Lizmark.” In particular, Huracán Ramirez is often mentioned as one of the most important influences. Mr. Atlas, a veteran La Paz wrestler recalls, "I ​​started fighting when I was 13 in 1965, when the greats of Mexican wrestling arrived in La Paz. Particularly I remember Huracán Ramirez, the man who fathered me."

An interview with Boliviana Euly Fernandez, the widow Huracán Ramírez

Younger wrestlers, like Anarquista from Santa Cruz, also note that the reputation of lucha libre in neighboring Perú was important to the formation and popularity of Bolivian wrestling. Mexican wrestlers toured South America, but it was the periodic visits by Peruvian wrestlers to La Paz that gained a hold in the 1960s. (7-23-2011). 

Today, there are four major wrestling organizations currently operating in La Paz: LIDER (Luchadores Independientes de Enorme Riesgo), LFX (Lucha Fuerza Extrema), Super Catch, and Titanes del Ring. LIDER, LFX, and Super Catch are smaller than Titanes del Ring, and only Titanes and LIDER have permanent places of performance. These two groups host foreign tourists in their El Alto performance venues each week, though Titanes del Ring boasts a much larger crowd and much larger group of travelers than LIDER. Super Catch usually produces shows in neighborhoods such as Villa Victoria (nicknamed Villa Balazos because of the frequency of shootings in the area), Villa Copacabana, or Villa Armonía—all working class neighborhoods of La Paz. However their schedule is somewhat sporadic. They have also recently opened a training program for young wrestlers that remains small. LFX is the smallest and least known of the operations with rare performances. Titanes del Ring, conversely, consistently attracts hundreds of audience members each Sunday at their show in the Multifuncional de la Ceja de El Alto (the multifunctional arena located in the Ceja market area of El Alto).